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Digitalis Purpurea - 1992​-​7 - Music for Sound Environnements Vol 5

by Eric Cordier

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1.
Composed between 1992 & 1997 at Studio La Grande Fabrique (Dieppe), with the help of Ecole Nationale de Musique de Dieppe for the church organ.
2.
3.
Les Os Longs 15:32
4.
Postface 09:30

about

These works were first performed in sound environments using hundreds of loudspeakers at : Galerie Duchamp (Yvetot) from Jan 1993 the 15th to the 27th (track 2), Ecole d’architecture de Normandie (Darnétal)/ Festival Tramway from Nov the 22th to Dec 1996 the 20th (tracks 3&4).
The tower of the LU factory, CRDC/ Lieu Unique, Festival Traffic from June 1997 the 11th to the 14th (track 1).

More details and photos : www.ericcordier.fr/axes/environnements-sonores/

"Sourced from recordings of multiple-loudspeaker installations in northern France between 1993 and 1997, "Digitalis Purpurea" is Eric Cordier's second outing for Ground Fault (he also forms part of the group Afflux with GF regulars Jean-Luc Guionnet and Eric La Casa). Original sound material for Cordier's works is culled from church organs, dulcimers and hurdy gurdy - he's one of the few practitioners of the instrument worth listening to (check out the trio Schams) - imparting a rich stringy texture to the sounds, which are then stacked up into dense but not impenetrable structures (cf both the title track and "Dactyle Aglomérée"). "Les Os Longs" is more varied in texture, originating as it does in diverse field recordings - though unlike his friend and colleague La Casa, Cordier goes to great pains to disguise the sources - and the final "Postface" ("no tape manipulation", the composer stipulates) is a weeping draughty smear of pipe organ. The same instrument, by the way, features on Cordier and Guionnet's "Tore" (Shambala 004), being the result of a particularly fruitful collaboration between the two composers and La Grande Fabrique in Dieppe, which also yielded Cordier's first solo album "Houlque"." - Dan Warburton, Paris Transantlantic

credits

released September 8, 2023

Composed between 1992 & 1997 at Studio La Grande Fabrique (Dieppe), with the help of Ecole Nationale de Musique de Dieppe for the church organ.

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